Out of The Woods

Days have passed, spent observing the outside from within the pristine interior of Gil Heitor Cortesão’s painting, to other days, as in Monika Grabuschnigg’s drawings, spent contemplating relationships in highly digitalized societies. Moving forward from weeks of isolation, countries worldwide slowly sputter to life once more, as a newfound normaly slowly begins to settle in place. The exhibition, Out of the Woods, encompasses a longing for the return of the familiar.